35mm vs 100mm macro lens
A “legendary” ancestor of the FiRIN is the Tokina 2.5/90 macro. If anything the image stabilization was noticeably quieter than the zoom lens, which can sometimes sound like it’s grinding tiny bits of gravel. Zoom lenses, and even some prime lenses with a ‘macro’ badge, give a greater magnification of around 0.5x. Not having that option, the shoot took a decidedly slower and more intentional path. Questo significa che è possibile effettuare regolazioni manuali una volta che l'AF ha finito, senza passare alla modalità manuale. After all, that’s technically twice as fast. While a wide angle can be forgiving of shakes and jitters, even the wider common prime focal lengths - 24mm or 28mm - end up being a bit more hemmed in with a 1.5x crop. Most of our work these days is shot on a Canon C100 or Canon C300 Mark II - both of which sport a super 35 sensor. Alla fine della lunghezza focale della lente si ottiene l'angolo di campo più stretto. Sigma 24mm f1.4; Canon 35mm f1.4; Canon 50mm f1.2; Canon 85mm f1.2; Canon 135mm f2; Julia first tests the lenses shooting full body photos with her model, Maralyn, from the same standing position to show how much background compression each lens shows, as well as the bokeh.. Then she does shots where her … Con un diaframma più ampio il sensore può catturare più luce, contribuendo ad evitare la sfocatura, e consentendo una velocità di scatto maggiore. It actually ends up being kind of difficult to read exactly where the focus is when such a small object is filling so much of the frame. We did not get to try this on this particular project, but we have plans to do so in the future… (dibs on being the “director”!). Inoltre fornisce anche una profondità di campo, che consente di sfocare lo sfondo per focalizzare l'attenzione sul soggetto. Inoltre permette di raggiungere un bokeh molto più bello quando sfocate il vostro sfondo, mentre una lente con meno lame spesso produrrà un bokeh più duro e poligonale. The first sequence we shot was some exterior walking shots on the Letus Helix with the 35mm f/2 IS. However, likely the biggest difference in the 35mm vs 50mm debate is price. ... Whilst the above Canon EF 100mm f/2.8L Macro IS USM has image stabilization, this more affordable version does not. If you’re on a limited budget, you can certainly make due with a lens like the 24-105mm f/4 and a camera with good low light capabilities. For that reason, it is often considered a “normal” lens for those cameras, as opposed to a wide, ultra-wide, portrait or telephoto lens. You need more light than you think. But it has it’s limitations, especially in making little objects fill the frame. ... APS-C format lens with 1:1 magnification. Un vero obiettivo macro ha un ingrandimento di 1:1. We write about video production gear that we use everyday on real world documentary and corporate shoots. If you do own a prime lens, then you know how amazing they are. The most recent lens we’ve tested (and subsequently added to the kit), which also happens to be a prime lens, is the Canon EF 100mm f/2.8L Macro IS. However, as with every documentary shoot, there were all kinds of opportunities to capture lots of action we didn’t anticipate (the subject’s son playing with toys, cooking and eating dinner, etc.). Use it on a full frame camera to get a standard view of a landscape. Questa è la massima apertura disponibile alla lunghezza focale minima. A universal macro lens allows me to take both: intraoral and portrait photographs. But, what constitutes a normal lens depends on the camera you’re using - and more importantly the sensor inside the camera. But, sometimes limitations can be illuminating… so, we decided to do a little experiment with primes and a find a quick passion project. At f2.8, the image quality is quite good, at f4 it’s excellent, and f5.6 is pretty much unbeatable. When following a subject, the 35mm allows us to be less worried about keeping a big distance from our subjects. As an "EF-S" lens, this model is only compatible with APS-C format Canon EOS Cameras (such as the Rebel, ***D, **D and 7D-series models) and these cameras feature a 1.6x FOVCF.That means t… To the best of my understanding, the more mm your lens has, the bigger the zoom is. Even though the lens is capable of shooting at f/2.8, if you want small objects to be in reasonable focus you likely need to shoot at a larger aperture, like f/5.6 or greater. Ciò significa che l'immagine prodotta è una rappresentazione a grandezza naturale del soggetto da fotografare. 2. In fact, it’s a setup we can see us using regularly on shoots going forward. Even in a fairly locked down tripod situation - like during an interview - we use image stabilization. If you could only have one lens at one focal length, chances are you’d go for the “normal” lens. Arguably, Canon has a few other prime lenses that could fit this bill, namely the Canon EF 24mm f/2.8 IS and Canon EF 28mm f/2.8 IS. It is of the EF lens mount that fits the EOS camera system.There are three versions, the original, a second that adds a USM autofocus motor, and a recently released L series version that incorporates Image Stabilization (IS).. Find out which is better and their overall performance in the Canon camera lens ranking. But, maybe skip the nifty fifty. If planning to get a Nikon Z 7II for focus stacking I would wait for the Nikon S-line macro lens which undoubtedly will be much sharper than the current Nikon 105m and also the Canon 100mm lens. Questo è la più ampia apertura disponibile a massima lunghezza focale. If you only take away one thing from this article, it should be that we love our 35mm. One scenario where minimum focal distance is important on a normal or wide lens is when working on a gimbal, like our Letus Helix. Besides hitting the normal focal length sweet spot of roughly 50mm on our 1.5x crop, there are a few factors that go into our selection of a good prime lens for video: image stabilization, minimum focus distance and solid autofocus.. For example, where a Nikon 50mm f/1.4 lens can be found for around $450 brand new, a Nikon 35mm f/1.4 lens will run you about $1,700. The two crop-specific offerings from Canon are the EF-S 60mm f/2.8 Macro USM and EF-S 35mm f/2.8 Macro IS STM.They're both on the affordable end of the price range, both feature f/2.8 as maximum aperature, and both offer 1:1 magnification, so I'm trying to figure out what differentiates the two that I can make a decision based on. Regular Lenses. What is the difference between a 100mm lens and 100mm macro lens? Having worked with the Canon EF 35mm f/2 IS for a couple years, we were immediately confident we could shoot the piece completely with just that lens. We are very much accustomed to being able to reframe interview subjects fairly quickly and seamlessly while using a zoom, but of course you could also just shoot on the wide end and record in 4K. Macro lenses, despite being priced lower than most other lenses, are pretty much the gold standard for sharpness. We’ve all heard it - it’s perhaps the most classic piece of advice for beginning shooters: start with a solid prime lens. The minimum focus distance of the Canon EF 100mm f/2.8L Macro IS is about 12”. Quelle arrotondate, spesso si trovano solo su lenti più costose migliorano l'aspetto delle aree fuori fuoco. We’ve done it for years. What a macro lens allows you to do is create images with a reproduction ratio of 1:1 (or, depending on the lens, sometimes greater). Canon EF 100mm F/2.8L Macro IS USM vs Canon EF 35mm F1.4 II USM, Ha la stabilizzazione ottica dell'immagine integrata, Lunghezza focale massima 65mm migliore o migliore teleobiettivo con più portata, Scorri verso il basso per maggiori dettagli, Apertura 50% maggiore alla lunghezza focale minima, Distanza di messa a fuoco minima 0.02m piú breve, Apertura a lunghezza focale massima 1.4f maggiore, Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras - International Version (No Warranty), Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras, Lens Only, ha la stabilizzazione ottica dell'immagine integrata, diaframma più aperto alla lunghezza focale massima, ha un motore silenzioso per il fuoco interno alle lenti. If you buy a nifty fifty or a 100mm macro lens you simply cannot go wrong — you will get a great and handy lens … That way, you’re never casting a shadow onto your tiny subjects. And what it means is you can get really close to small things, and make them look big, and detailed. While shooting all kinds of projects, it’s quite common for us to have a camera dedicated to telephoto - which is most often the Canon EF 70-200mm f/4 IS, sometimes with the 1.4x extender. It adds to their versatility, so much so that you could even shoot a video with only a single prime lens. I have a 50mm Sigma Art Lens, and the 100mm Canon IS L lens. Simile al numero di lamelle del diaframma, le lamelle arrotondate influenzano il modo in cui la luce passa attraverso il sensore. 9-blade circular aperture Capture attractive and even background bokeh when isolating subjects at wide apertures with the lens's 9-blade circular blade aperture. One aspect of lens choice that is often overlooked is minimum focus distance. Yes and no. Compared to a full frame sensor, these cameras have a crop factor of 1.5x, similar to the APS-Cs of yesterday. If you don’t know why 35mm vs 50mm is important, then this article is for you. In this video, Julia compares the following lenses using her Canon 5D MkIII:. OK, maybe it’s not that bad… but, it is noisy. Inoltre fornisce una profondità di campo che permette di sfocare lo sfondo per focalizzare l'attenzione sul soggetto. In fact, until very recently it was the only true prime lens in our kit…. That means that a 50mm lens gives you an image that will look closer to 75mm on the C300. Small form factor, handheld shooting, fast apertures, beautiful bokeh. Of course, that’s also most useful when paired with our C300’s Dual Pixel Auto Focus (DPAF) and our handy handle solution. Sony 100mm F2.8 Macro is an Auto Focus (AF) Macro Prime lens with 35mm FF max sensor coverage and it is designed to be used with Sony Alpha mount cameras. But compare it to the minimum focal distance of about 47” on the Canon EF 70-200mm f/4L IS and you’ll notice a big difference. Light is an important aspect in macro photography to enable you to keep a fast enough shutter speed to capture insects on the move.To give you an idea of the difference in shooting distance between focal lengths, a 100mm macro lens used at approximately 45cm from the subject will have the same magnification as a 50mm lens used at only 23cm from the subject. Scopri quale è il migliore e la loro prestazione generale nella classifica obbiettivi per … In fact, the autofocus becomes quickly annoying when you’re really close up on something… sometimes micro adjusting or straight up racking right in the middle of your shot. There are plenty of fresh faced DPs out there who boast a list of vintage Nikon or Rokinon primes on their website. Because the aperture of the average prime lens is fast - f/2.8 or faster - there is rarely the need to push the shutter speed of the camera below 1/125 to properly expose an image in low light. With that setup, you can easily pick a 180 degree radius on a subject and immediately start collecting shots for a sequence. If you only take away one thing from this article, it should be that we love our 35mm. We are working filmmakers, not armchair bloggers. But it is precisely that lack of image stabilization that caused us to ditch the primes. Una gamma di zoom più elevata significa che la lente è più versatile. Thus far the new lenses for the Z cameras have been much sharper and resolve to a much higher degree than the FX lenses (with a few exceptions like the 14-24mm f/2.8 and the FL lenses). The only trick when shooting with the 100mm Macro is to not get so close that you’re standing in your light. The 100mm macro is not an option for a kit camera when purchasing one because of the price. While it may be tempting to save a few hundred dollars on an equally well reviewed lens like the non-IS Canon EF 100mm f/2.8L Macro USM, our tests found it to be basically unusable for our type of work.. Even with a 1.4x extender on the 70-200mm, we have often felt limited in our ability to get in really close to small, detailed shots. Ciò consente di raggiungere un migliore e più morbido bokeh nelle tue foto. The EF 100 mm f /2.8 Macro USM lens is a prime lens made by Canon Inc. Here is Canon's most modern, and potentially highest quality, macro lens. By the way, if you're interested in learning more about Patrick and his world of miniatures, head on over to his table top miniatures blog.. Which, you know, is nice. For us, that’s a deal breaker. On a full frame sensor camera, such as the Canon EOS 5D Mark IV or Sony Alpha a7S II, that nifty 50mm lens is often considered to be roughly equivalent to the range the human eye can see. What is the difference between Canon EF 100mm F/2.8 Macro USM and Canon RF 35mm f/1.8 IS STM Macro? The image stabilization on the Canon EF 35mm f/2 IS is excellent, allowing us to seamlessly move between handheld and all of our camera support systems. But, in the macro world, it’s better and quicker to just flip it off and go old school. 4. The Canon EF 35mm f/2 IS has a minimum focus distance of 9.5” - which basically means if you can see it, you can shoot it. Forget shooting handheld. More on that later. Questo è essenziale quando si vuole scattare foto che includono oggetti lontani, come ad esempio durante le riprese di paesaggi, al fine di assicurarsi che tutto sia nitido e a fuoco. However, in that case maintaining focus does become fairly critical. It might sound blasphemous to some folks, but the Dual Pixel Auto Focus (DPAF) on the Canon C100 & 300 is so good and dependable, that we end up using it all the time. And, there are tons of articles out there advising newbies on which cine prime set might be right for them… someday. So, why go to the trouble and expense of building in Image Stabilization, right? It felt good.. As far as gimbal shooting goes, the 35mm is on the tight end of what’s practical, but with IS it is still perfectly usable. The initial idea was to focus on using the lens just for capturing images of the miniatures, which we thought would mostly happen from the tripod. In our earlier DSLR days, we shot with APS-C sensor sized cameras like the Canon EOS 60D, which boasts a 1.6x crop factor. We find that the mic is often just in the subject’s upper peripheral vision, so we were able to quickly tell him to keep that in sight, which worked about as well as a gaff tape mark. 35mm focal length equivalence of 96mm. At the end of the day, prime lenses in general have an advantage over almost every zoom lens when it comes to minimum focal distance. Find out which is better and their overall performance in the Canon camera lens ranking. Today it is still a very enjoyable lens but it has become rather expensive. In fact, until very recently it was the only true prime lens in our kit… Canon 100mm Macro Lens The most recent lens we’ve tested (and subsequently added to the kit), which also happens to be a prime lens, is the Canon EF 100mm f/2.8L Macro IS. But some lenses are labeled 100m macro, others aren't. Tamron SP 90mm F/2__8 Di VC USD 1:1 Macro, Nikon AF-S VR Micro-Nikkor 105mm F/2__8G IF-ED. That 1:1 ratio is the relationship between the size of the object you’re shooting and the image on the sensor. And what could be smaller than something called “miniatures”? We find that without it, even the slightest audio adjustment or reframe can render the image unusable. We also found ourselves striving to anticipate action, rather than simply follow it sloppily. And they don’t take up that much space in the bag. Pop one onto your crop sensor camera for a longer effective focal length for portraits.. You can even use a 35mm lens for street photography, architecture, product photography, and macro photography as well. Later on, shooting the actual miniatures mostly on a tripod, we quickly learned a few lessons about using a macro lens for video: More light would make it easier to nail focus. Like it's cousin the 50mm lens, a 35mm lens is known for having excellent versatility. One simple solution to that issue is to shoot through a simple LED ring light. This sequence was shot handheld, thanks to Image Stabilization, The image stabilization on the Canon EF 100mm f/2.8L Macro IS is, in our opinion, vital for using a macro in video. In the years we’ve been producing short documentary videos - and we’ve done literally hundreds of them - we’ve never intentionally shot a piece solely using prime lenses. Hornet Macro Photographed with a Nikon Macro Lens. Overall, the 100mm Macro performed excellently, and was as sharp as our standard 70-200mm f/4 interview lens. In 2005 Tokina released the Tokina AF 100mm f/2.8 AT … Your statement 'The Pentax-D FA 100mm f/2.8 Macro WR lens provides an angle of view equivalent to a 150mm on a 35mm format camera when mounted on a Pentax Digital SLR' is just plain wrong. Lens Mount Sony 100mm F2.8 Macro is compatible with cameras that have Sony Alpha lens mount.Some of the latest released cameras with Sony Alpha lens mount are Sony A99 II, Sony A68 and Sony A77 II. Lens Mount Venus Laowa 100mm F2.8 2X Ultra Macro APO is compatible with cameras that have Canon EF lens mount.Some of the latest released cameras with Canon EF lens mount are Canon 1D X III, Canon 6D … One of our constant self criticisms, especially when it comes time to edit, is not taking enough time to let a scene play out in front of the camera. Questo consente di adattare una piccola parte della scena nella fotografia, es. When considering the addition of a lens to the kit, the focal length is an important feature to consider.The focal length determines the angle of view and the angle of view in turn determines the perspective provided for the desired subject framing. But, what’s all the hype really about? Una lunghezza focale maggiore permette più di concentrarsi in una piccola parte di una scena, e offre un angolo di vista più stretto delle lunghezze focali minori. I would buy the 100mm as my macro for the greater detail, and as if you do upgrade it will go onto full frame cameras. Copyright © 2020. digitalfilmmaker.net is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, Hollyland Mars 400S Pro Announced – SDI Wireless Video Transmitter, Hollyland Mars 300 Pro Review – A Wireless Camera Monitor with a Twist, My RØDE Reel 2020 is back with life-changing prizes, Hollyland Mars 400S Pro Announced – SDI …. So, why do so many people keep saying get a 50mm lens? It’s easy to either mount the light on a simple light stand with an articulating arm like the Cinevate Universal Accessory Mount, or you could attached it to a rail system on the camera. A good way to get around this issue is to use a dimmable ring light, like the serviceable F&V R-300 ring light, which we generally have on the shelf, and simply shoot through the light. You learn to zoom with your feet and pay attention to choices like framing, aperture and depth of field., All that said, when you enter into the video world, your nifty fifty might no longer be so nifty. It was January, and the light was starting to fade, so shooting outside first was a no-brainer. Un obiettivo grandangolare è ideale per catturare grandi aree di una scena, ad esempio quando si fa la fotografia di un´architettura o di un paesaggio. Piú lamelle spesso indicano un obiettivo di qualità migliore. But if you’re buying a lens for close-up photography, a macro … In this head-to-head matchup, 35mm lenses are far more expensive. La gamma di zoom è il rapporto tra la lunghezza focale massima e minima. Questa è la distanza minima che l'obiettivo può mettere a fuoco. We found ourselves looking less at the monitor on our camera, and more at the scene taking place in front of us. Una lunghezza focale minima inferiore consente di ottenere di più della scena nella foto, e offre un angolo di visuale più ampio rispetto alle lunghezze focali maggiori. To often it seems when we’re reviewing footage that right at the moment something interesting happens or changes, we fiddle with exposure, zoom, focal length, or something that makes the shot unusable. Focus peaking works to an extent, but you’re also shooting quite close up at a fairly telephoto focal length… so it could easily become a two person job with both a “director” monitoring the shot for the shooter. Basically, how close to an object can you get and still be in focus. Qual è la differenza fra Canon EF 35mm F/1.4L USM e Canon EF 35mm F/2 IS USM? Do prime lenses really have a place in the modern video shooter's kit bag? Le lenti con fuoco interno hanno un motore più veloce e silenzioso delle lenti senza un motore inerno, che si basano sul motore della macchina. A 50mm is pretty boxed in on anything but a full frame sensor, it’s jittery without IS whenever you try to move the camera, and on all but the most expensive (and heavy) versions the manual focus rings are cheap and plasticy.. But, in order to make that fast paced style work, experience has taught us that image stabilization is an absolute must. Without the ability to quickly reframe, we were worried about our interview subject wandering - but, that is easily remedied by our usual overhead hypercardiod boom mic. quando si vuole fare l'ingrandimento di un soggetto (in base al formato APS-C). Now, conducting our usual relatively long interview with such a short focal length (literally half of our usual minimum using the 70-200mm f/4) would be unusual - but, as luck would have it our friends at Focal Point Photography in Dallas, Oregon had agreed to lend us a Canon EF 100mm f/2.8L Macro IS, which in addition to giving us wicked close ups, could serve as a killer interview lens. That means that movements as slight as a button push can be visible in your footage, even when practically locked down on a reasonably sized tripod. These are the examples causing confusion: example1 and example2 Maybe even f/22 in some cases. As we mention above in the notes about minimum focus distance, the key here was to get a variety of shots, especially that go beyond the usual ultra wide angles we see so often on gimbal.
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